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Flugelhorn Meditations and Improvisations

by Matt Lavelle

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1.
Velvet 03:53
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Thistle 02:51
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Amethyst 03:24
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Magenta 03:30
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Lavender 03:44
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Lilac 03:39
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Orchid 05:24
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Violet 03:03
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Hope 04:43
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about

When I started getting deep into jazz in the late 80’s, I wanted a flugelhorn for one reason: Freddie Hubbard had one. I didn’t know anything about the nuance of the horn. At a gig right after 9/11, and only a few blocks from the disaster site at a place called the Orange Bear, Roy Campbell took me aside and told me a flugelhorn is not a trumpet. Up to that point I was just hitting it hard thinking of trombone players. I have been trying to find the flugel inside me ever since. After I played the first comeback concert we did with Giuseppi Logan, Roy pulled me aside again and said that flugel was now my true horn, the one where my personality and sound came through the strongest. I did more than half of my album on Silkheart called Spiritual Power on flugel around then. At various times I have tried to make the flugel my number one horn, even practicing it first above the trumpet. The main obstacle is that trumpet is what I get called to do the most. For this record I started solo trumpet, but found my recording set up unable to contain the blast zone. I then turned once again to the flugel. To try and go a step further I recorded using a very rarely used mute, the velvet tone bucket. I gave one of these mutes to Roy on his birthday after NY Trumpet Nemesis played CBGB’s Gallery. After the 12 improvisations, I went and sang 5 flugel plunger meditations. Throughout the record I'm using quarter tones with no 4th valve and no tuning slide manipulation. I've been chasing non-western sounds about as much as I've chased the flugelhorn over the years. Is this the first solo flugelhorn record ever made?

Flugelhorn itself is such a trip. Roy Eldridge said he brought the horn to America. I have been told I’m like a free Roy Eldridge on trumpet before, without the range. Clark Terry is of course King. Clark, Freddie Hubbard, Roy Campbell, Alan Shorter, Hugh Masekela, Lee Morgan, and Red Rodney are my primary flugel inspirations. My whole idea on this one is try something different no matter the cost. I got to spend some time with Hugh once, and I asked him why he never used a mute. He explained it to me in a way that only he could (Ask me what he said in person, as it’s too hot for Bandcamp liner notes) Roy Campbell is the only person I ever saw use mutes with a flugel. Speaking of Roy’s, Roy Hargrove is a true champion to me- playing quiet flugel ballads in front of huge festival crowds, just an incredible amount of courage.

Anyway, you might be turned off by the sound here, or maybe you might feel like pulling up a chair with me on my backyard deck in Philadelphia with a wide open sky and a purple sun

Peace ML

This album is dedicated to Tazz, Roy Campbell Jr. TAZZ LIVES

credits

released August 15, 2021

Matt Lavelle: Flugelhorn

Album Cover: The Purple Hand Temple in the Color Multiverse by Matt Lavelle

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Matt Lavelle New York, New York

Matt Lavelle plays trumpet, alto and bass clarinet, is a bandleader, painter. and writer based in Philadelphia and NYC

"You have to be who you are in this world, no matter what" (Denzel Washington)

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